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Showing posts with label women writers. Show all posts
Showing posts with label women writers. Show all posts

Saturday, July 17, 2010

some mornings are sheer poetry


I don't think of myself as someone who likes poetry. I don't usually seek poems. I've been known to run from them on occasion. At a fast gallop.


I might have taken a book of poetry out of the library once or twice, Erica Jong comes to mind. But I don't think I've ever read more than a few lines before I put the book down and then forgot where I put it and then it was time to take it back to the library.


I do, however, love to listen to The Writer's Almanac with Garrison Keillor. I catch it some mornings when I'm getting dressed for work. Often hoping the timing of the blow drying of my hair will not coincide with Garrison's reading of his selected poem of the day.


Below is one such poem I managed to catch.


This poem has stuck with me. Some mornings it is consoling. Some mornings it saves my marriage, maybe.




After a Noisy Night

by Laure-Anne Bosselaar

The man I love enters the kitchen
with a groan, he just
woke up, his hair a Rorschach test.
A minty kiss, a hand
on my neck, coffee, two percent milk,
microwave. He collapses
on a chair, stunned with sleep,
yawns, groans again, complains
about his dry sinuses and crusted nose.
I want to tell him how
much he slept, how well,
the cacophony of his snoring
pumping in long wheezes
and throttles—the debacle
of rhythm—hours erratic
with staccato of pants and puffs,
crescendi of gulps, chokes,
pectoral sputters and spits.
But the microwave goes ding!
A short little ding! – sharp
as a guillotine—loud enough to stop
my words from killing the moment.
And during the few seconds
it takes the man I love
to open the microwave, stir,
sip and sit there staring
at his mug, I remember the vows
I made to my pillows, to fate
and God: I'll stop eating licorice,
become a blonde, a lumberjack,
a Catholic, anything,
but bring a man to me:
so I go to him: Sorry, honey,
sorry you had such a rough night,
hold his gray head against my heart
and kiss him, kiss him.

"After a Noisy Night" by Laure-Anne Bosselaar, from The Hour Between Dog and Wolf. © BOA Editions, Ltd., 1997. Reprinted with permission (on the Writer's Almanac but not here on CoffeeYogurt)

Monday, May 10, 2010

feels like saying goodbye to a good friend



Finished reading Lit last night. Feels like saying goodbye to a good friend.

Really good memoirs and novels feel like that. One reason why I like reading so much. I'm one of those people-who-need-people, people. Having a book in my lap, especially when written in the first person, feels like listening to a friend confide their deepest secrets.

As for Lit, it was another home run for Mary Karr. An an especially insightful read for those trying to understand alcohol abuse. Or trying to kick it.

Recovery, relapse, reconciling with an abusive parent, doing what it takes to stay sober. It's all there.

So I'm back to the novel I was reading when I got notice that Lit was ready at the library, The Prime of Miss Jean Brodie. It's the story of an eccentric teacher at a girls school in Scotland, told through the eyes of the students.

Halfway through the book I was thinking it was not all that great. But then over the weekend, while planning my next read, I came across Brodie on one of TIME's 100 Best lists. Ok, so somebody thinks it's all that and a bag of chips. I'm determined to finish it since it's right there on my bedside table. Check off one more on their list.

Last night I read the passage where the students are attending sewing class. The girls see the sewing machine's needle go up-down-up-down, "which usually caused Sandy and Jenny to giggle, since at that time everything that could conceivably bear a sexual interpretation immediately did so to them."

I was immediately transported back to Catholic school. Sixth grade. Miss Napolitano's Geography class. Listening to a student drone aloud out of the textbook, about some South American country,their biggest export, rubber. My BFF and I caught a glance, laughed hysterically, trying not to, which only made us laugh more. Miss Napolitano saw us and rolled her eyes. Miss Napolitano was no Miss Jean Brodie.

And now I'm thinking of watching the movie, since it stars Maggie Smith. I fell in love with her when she played Miss Bartlett in A Room with a View, one of my all-time favorite movies. Smith must have played an equally excellent Miss Brodie, given her Oscar win as Best Actress for the role.



Has anyone seen the movie? Recommend it? And how about the book?

And readers, what are you reading now? Meeting any good friends lately?

Sunday, May 02, 2010

do not disturb




Seriously


excellent

reading

in

progress.




For weeks now, I have been patiently pacing the floors waiting for my local library to deliver my hold request.

And Thursday?

Deliverance.

So now, after numerous distractions (volleyball game, two-night visit from mother-in-law, school carnival pick ups, sleepover drop offs) I am, to use a phrase I know the East Texas author would approve of, happy as a pig in sh*t.

If you are looking for a fascinating, disturbing, engaging, and inspiring memoir, or series of memoirs, which in my mind's eye is evah so much bettah, I invite you to read my absolute

favorite series by Mary Karr.

Begin with Liar's Club. Natch.

It's about her Texas childhood. Daddy working the oil fields. Momma working the bipolar. Both working the bottle.

In her words, "A dysfunctional family is any family with more than one person in it."





Follow Liar's Club with Cherry. Karr's adolescent years. Where she unwittingly follows in her mother's footsteps. Isn't it always the way? We're running away from our parents but running right smack into them at the same time.

And finally (oh hopefully not) the sequel to the sequel, Lit.

When I read Karr's memoirs, I feel as if she is sitting by my side, talking to me. An intimate conversation where I'm thrilled I've found a new friend who will tell-it-like-it-is. No sugar coating. No holes barred. Emotional, gutsy soul barings. The stuff typically reserved for the confines of a shrink office.

The way Karr describes her confused, distressed, approach-avoidance feelings regarding her mother is deep, from-the-core, inside turning out.

And her marriage to the wealthy, waspy New Englander. The same. The subtle twists and turns that can steer a married couple right into the ditch. And the way the hurts stick with us, "the shreiking fight or the out-of-character insult endures forever, while the daily sweetness dissolves like sugar in water."

But mostly it's her insights about herself. ""For me, everything's too much and nothing's enough." Yep. Especially when I'm reading her books.
All this to say I may be even less present in the blogosphere than my poor attendance record of late.

But I know you understand.

Wednesday, March 31, 2010

my stolen screenplay


Rachel is thinking about writing a screenplay. In a recent post, she shares some of her screenplay ideas and asks if her readers have ever had a thought of writing one.

I'm one of those aspiring screen writers who fall under the following category: Think-I-Can-Write-One-for-a-Brief-Exhilarating-Moment-After-Seeing-a-Really-Great-Movie.

The type toward whom authentic screen writers feel complete and utter contempt.

My inspiration, as self-aggrandizing as it is, is likely to occur after I watch movies steeped in emotionally-driven dialog. Especially dialog between women.

Discussing men.

And the plight of women.


As their plight relates to the men in their lives.

Walking and Talking was one. And Lovely and Amazing was another (Alert!! Young Jake Gyllenhaal sighting in the trailer). And Friends with Money, a third.

Or, apparently, anything written by Nicole Holofcener. And starring Catherine Keener.



Because I just now googled Nicole Holofcener and discovered that she wrote all three of these movies. I just love how smart I feel with google and imdb in my back pocket.

So yes, periodically, in a temporary state of half-delirium sprinkled with a fine layer of narcissism, I have been known to consider writing a screen play. But that's as far as it has ever gone ever needs to go.

I did talk with a friend once, at some length, about an idea I had: Women gifted with the power of climbing inside the brains of their male lovers. What would we find? Would we be flattered?

Or horrified?

Or horrified by the brand of flattery?




So wouldn't you know, a couple months after this screenplay-idea conversation with my friend, the Mel Gibson / Helen Hunt movie came out, What Women Want. You know, the one where he plays a womanizer and electrocutes himself trying to put on pantyhose and as a result is suddenly able to act read the minds of the women around him.

I am not kidding. About two months after my incredible idea for a screenplay.

And upon seeing the trailer for this movie I thought, Gah! They stole my idea!

Or, the male corollary of my idea.

And my thoughts ran toward, now when I try to publish my screenplay that I haven't even written one line of nor had a single moment's training in the how-to-of, the producers I present my idea to are going to be all, you so stole that idea from Mel Gibson.




So much for my screen writing career.

How about you, reader? Ever had an idea for a screenplay?

Friday, May 29, 2009

give a book, get a book

I joined PaperbackSwap a few months ago and it's great. It's an online book swap networking site. You list the books you are willing to swap. You mail it out to an interested reader. You get a point when your book is received. And then you can cash in that point to request a book from some other member. It costs about $2.30 to mail each book.

I'm at a point where I've accumulated several points and want to order some sure-bet summer reading. There are a LOT of books to choose from.

Which brings me to the reason for this post. I would love to hear your suggestions, some of your favorite novels read over the past few years. Books that stand out as having been "one of the best books I've read in a long time." Or "books that I couldn't put down." As I said in my previous
post, I'm not into pain or violence or scary. So no murder mysteries or Stephen King, please.

Oh and I did see The Wrestler. As promised, I kept my laptop open through quite a few scenes, all of them, I think, took place inside the ring or in the locker room. I was glad I saw it. There were several emotionally wrenching themes presented in an intelligent, sensitive manner, having to do with substance abuse, parenting, and aging out of careers. It clearly was not about the wrestling so much as the man who is wrestling with his personal demons.

But back to the books. Here are a few of the books that fit this description for me. I prefer women authors but there is one favorite male author who has never disappointed.

For Love by Sue Miller. One of my favorite authors. The story of a woman whose mother enters a nursing home. She returns to help get the family home in sellable condition. She explores her long crumbling relationship with her mother and brother. She evaluates her teetering marriage. She revisits a key childhood friendship. I felt like I was listening to a client or a friend try to reconcile her past with her present. Oh, and if you don't know what a porte cochere is, like I didn't, you can see one here.

Fall on Your Knees by Anne-Marie MacDonald. I read this one years ago. I love novels that delve into childhood associations of Catholic teachings and how they interplay with other religions. I don't wonder why. I grew up a Catholic school girl whose next door neighbors were holy roller Presbyterian on the one side (we choreographed dances to gospel quartet music - her father played stand up bass) , and a liberal, somewhat eccentric (compared to my family's conservative conventions) Jewish family on the other. This novel is set in Nova Scotia. It spans the early 20th century and beyond WWI.

Three Junes by Julia Glass. This one I consider a found treasure. You know how you're walking along and out of the corner of your eye you see something that sparkles? You pick it up thinking it will be an old bottle cap but instead it turns out to be a gemstone? Three Junes was like that. The title caught my eye on the library shelf. I hadn't heard a thing about it. I brought it home to give it a try and I loved it. It's a story of a Scottish family with a matriarch who breeds dogs, her husband, their son who is gay, the family's struggle with acceptance, and the son's life in NYC.
Atonement by Ian McKewan. Although Amsterdam was the McKewan novel that drew me in first and probably is still my favorite. The movie, Atonement, was very well done. The mystery of the logistics of the library sex scene was answered, thanks to the visual aid that is film.



A Round Heeled Woman by Jane Juska. One of the bravest contemporary memoirs I have ever read. Real life "edge of your seat," interpersonal and emotionally moving tale of a woman, late in life, looking for love and connection.




The Weight of Water by Anita Shreve. Another of my favorite writers. This book of hers is my most loved. And I still have not seen the screen adaptation, starring Sean Penn. What is my problem? Adding to my "movies-to-rent" list now.





So how about it, reader? Have any suggestions for me?